Evelyn
Glennie -
Mallet
Keyboard Specialist
Pierre
Schaeffer - Inventor of: Musique Concrete
Edgard Varese - 
"I long for instruments obedient to my thought and whim, with their
contribution of a whole new world of unsuspected sounds which will lend
themselves to the exigencies of my inner rhythm"
Ferruccio Busoni - Prophet of modern electronic music
Ruth Underwood - Mallet Player
for Frank Zappa
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Energy
Rush, a classic example of good drumming in the 80's by Vince Schaefer.
ER under the management of Contemporary Artists, was
high energy dance, playing music from the Billboard Hot-100 list, as well
as originals. Working six nights a week at some of the hottest clubs, ER
considered to be the most versatile band on tour in Southern Florida and
‘the Keys’ at the time, were held over for thirteen weeks at the Pier
House in Key West to guarantee availability and participation in the week
long, annual
Fantasy-Fest celebration. Though the group lasted only a
year, because of other commitments, they built a repertoire of over 400 tunes including 20 regularly played
originals. Vince Schaefer is pictured playing bass, though actually the drummer!
To hear a 'Real Audio' Introduction of the band, Click
Here!
Vince
drummed a basic 5 piece kit, with a tymbali/cowbell and a Simmons 1
electric drum added. The Simmons either was a clap sample or it was
triggered from the snare drum, giving the popular sustained snare sound
popular at that time. The kit was a black Rogers 8 ply Maple, with blue
Evans Hydraulic heads. The sizes for that tour were: 12", 14",
16", and 24" with a deep 14" maple snare drum. Remo
Pinstripe on the snare, Remo Starfire (chrome pinstripe) on the bass.
Zildjian cymbals with 14" New Beats that I drilled, 12" splash,
16" medium thin crash, 18" crash-ride, 20" high china-boy.
Roger always sounded like a million bucks.
Real Audio samples of Energy Rush, below!
To hear what we played as dinner music, Click Here: The
World is A Ghetto which was recorded at: The Top Of The Mast, in Fort
Meyers beach Florida. Two
more examples from the Fort Meyers gig, which was one of our first
jobs in Real Audio format are: Shakedown,
by Sob Segar; and Sign of the Times, by
Prince.
One of our most fun jobs was the Pier House in Key
West. Many times we opened our 'dance set' with: Serious
or played the Natalie Cole tune: Jump
Start my Heart, or finished up a set with some Sly
and the family Stone.
Dennis Star
was musical director, vocals and bass player, Rob Tuner on guitar and
vocals, Cindy Cali singing, Jay Harris on keyboard and vocals, and Victor
London sang and drummed (Casio CZ-1 sampling drum machine) and mixed sound. Everyone sang lead on something, and new
tunes were cranked out constantly. We could play just about any tune
requested, and we specialized in making people dance and drink.
Parliament, Prince, the Time, Jesse Johnson, Janet or Michael Jackson,
Levert, Sheila E., and Sly and the Family Stone, as well as the Billboard
magazine Hot-100 list made up the repertoire of this high energy group.
Becky Lewis was one of our best friends from Key West, and was gracious
enough to let us stay at her home during hurricane: Floyd!
Click
for more information on Vince Schaefer
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